16-09-2021
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Free 3D Video Maker. Now you can make 3D video all by yourself.The extraordinary feature of the program is that you can create a 3D video using just one source video file as well as two files.
- Free3DVideoMaker.exe
- DVDVideoSoft Ltd
- Freeware (Free)
- 12.22 Mb
- WinXP, Win Vista, Windows 7
With amazing IQmango 3DVideo Player it is essential and easy for you to watch 2D movies in 3D! Click '3D' button to enable 3D playback. 7 awesome 3D techniques, including, Anaglyph Grey, Anaglyph True, Anaglyph, Side by Side, Top and Bottom etc.
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- Cyan Soft Ltd.
- Freeware (Free)
- 960 Kb
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4Media 2D to 3DVideo Converter for Mac is stereoscopic 3D environment, It enables you to convert 2D standard video to 3dvideo; Users can get the output as one file in side-by-side or top/bottom format, or as anaglyph video such as Red/cyan.
- m-2d-to-3d-video-converter-for-mac.dmg
- mp4converter.net
- Shareware ($39.99)
- 36.88 Mb
- Mac OS X
IQmango 3DVideo Converter is a first-class video converting software that enables you to transform any regular 2D video file to 3Dvideo. This superb, revolutionary app supports 7 great 3D techniques, including Side by Side and Anaglyph RedCyan3D.
- IQmango_3DConverter_3.4.5-Setup_pad.exe
- Cyan Soft Ltd.
- Freeware (Free)
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Easy VideoMaker provides the total solution of editing, creating, making videos/movies, with it we can easy to Edit, Create, Make high quality 2D/3D videos/movies from various formats of video clips, images, audios, lyrics, texts, etc.
- easyvideomaker.exe
- RealZeal Soft
- Freeware (Free)
- 43.13 Mb
- Win10 x64, Win8 x64, Win7 x64, WinVista x64, Other
3D Box Maker Professional is a system to help you create virtual packaging (3d Box Shots) for your website. Create dazzling box images with reflections or drop shadows. The Photoshop quality images will give your software a real professional look.
- BoxMaker.exe
- Blink Development
- Shareware ($49.99)
- 3.85 Mb
- Win98, WinME, WinXP, WinNT 4.x, Windows2000, Windows2003
DVD-VideoMaker aims to be a tool to convert various PC video formats to a DVD that can be played on pretty much any standalone DVD player. It's main target audience is people who know at least some basics about DVDs and videoaudio files.
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- SoftwareClub.ws
- Freeware (Free)
- 8.96 Mb
- WinNT 3.x, WinNT 4.x, WinXP, Windows2000, Windows2003
DVD-VideoMaker aims to be a tool to convert various PC video formats to a DVD that can be played on pretty much any standalone DVD player. It's main target audience is people who know at least some basics about DVDs and videoaudio files.
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- SoundInDepth.com
- Freeware (Free)
- 8.96 Mb
- WinNT 3.x, WinNT 4.x, WinXP, Windows2000, Windows2003
Free 3D Photo Maker. Make 3D content yourself! The program is extremely simple in its usage. Free 3D Photo Maker makes 3D photos using just one picture as well as two pictures. No spyware or adware, free and absolutely safe to install and run.
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- DVDVideoSoft Ltd
- Freeware (Free)
- 18.65 Mb
- WinXP, WinVista, WinVista x64, Win7 x32, Win7 x64, Windows Vista
3DVideo Player is a consumer media player that delivers spectacular 3D experiences combined with a slick performance. Its main feature is a 3D button that enables you to activate 3D playback.
- 3DVideoPlayer_1.7.1.exe
- Ramka Ltd.
- Shareware ($19.99)
- 11.81 Mb
- WinXP, WinVista, WinVista x64, Win7 x32, Win7 x64
DVD VideoMaker aims to be a tool to convert various PC video formats to a DVD that can be played on pretty much any standalone DVD player. It's main target audience is people who know at least some basics about DVDs and videoaudio files.
- asdmpr43021.exe
- AUDIOSHAREWARE.COM
- Freeware (Free)
- 10.06 Mb
- Win7 x32, WinXP
The 3DVideo Mixer Filter is a video multiplexer that accepts multiple input streams and outputs a single stream. This filter exposes an input pin for each incoming stream and uses the Microsoft DirectX 9 3D rendering capabilities. Each video input. ...
- 3D_Video_Mixer_Filter_Trial.exe
- Rogue Stream Corporation
- Freeware (Free)
- 2.6 Mb
- WinXP, Windows2003, Windows Vista
3D Red And Cyan (Blue) Color Scheme. The 3D Red And Cyan (Blue) Color Scheme palette has 2 colors which are Red (#FF0000) and Aqua (#00FFFF). This color combination was created by user Keshav Naidu. The Hex, RGB and CMYK codes are in the table below. Note: English language names are approximate equivalents of the hexadecimal color codes. Sebaiknya download HD biar gambar lebih bagus. Kacamata 3d Red Cyan, atau bisa juga dengan warna lain. Download software Bino disini: bino3d.org; Cara memainkan Film 3D SBS dengan Kacamata Red Cyan. Silakan buka aplikasi Bino kemudian pilih File – Open File(s) – Cari film SBS yang tadi didownload.
Related:Cyan Secure Web - Primary Colors Cyan - Red Uw Video - Red Fox Video - Red Fox Video Driver
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A 3D or 3-D (three-dimensional) film or S3D (stereoscopic 3D) film[1] is a motion picture that enhances the illusion of depth perception. Derived from stereoscopic photography, a regular motion picture camera system is used to record the images as seen from two perspectives (or computer-generated imagery generates the two perspectives in post-production), and special projection hardware and/or eyewear are used to provide the illusion of depth when viewing the film. 3D films are not limited to feature film theatrical releases; television broadcasts and direct-to-video films have also incorporated similar methods, especially since 3D television and Blu-ray 3D.
3D films have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney themed-venues. 3D films became more and more successful throughout the 2000s, culminating in the unprecedented success of 3D presentations of Avatar in December 2009 and January 2010.
3D Types :
Anaglyph
The archetypal 3D glasses, with modern red and cyan color filters, similar to the red/green and red/blue lenses used to view early anaglyph films.
Anaglyph images were the earliest method of presenting theatrical 3D, and the one most commonly associated with stereoscopy by the public at large, mostly because of non-theatrical 3D media such as comic books and 3D television broadcasts, where polarization is not practical. They were made popular because of the ease of their production and exhibition. The first anaglyph movie was invented in 1915 by Edwin S Porter. Though the earliest theatrical presentations were done with this system, most 3D movies from the 1950s and 1980s were originally shown polarized.[51]
In an anaglyph, the two images are superimposed in an additive light setting through two filters, one red and one cyan. In a subtractive light setting, the two images are printed in the same complementary colors on white paper. Glasses with colored filters in each eye separate the appropriate images by canceling the filter color out and rendering the complementary color black.
Anaglyph images are much easier to view than either parallel sighting or crossed eye stereograms, although the latter types offer bright and accurate color rendering, particularly in the red component, which is muted, or desaturated with even the best color anaglyphs. A compensating technique, commonly known as Anachrome, uses a slightly more transparent cyan filter in the patented glasses associated with the technique. Process reconfigures the typical anaglyph image to have less parallax.
An alternative to the usual red and cyan filter system of anaglyph is ColorCode 3D, a patented anaglyph system which was invented in order to present an anaglyph image in conjunction with the NTSC television standard, in which the red channel is often compromised. ColorCode uses the complementary colors of yellow and dark blue on-screen, and the colors of the glasses' lenses are amber and dark blue.
The polarization 3D system has been the standard for theatrical presentations since it was used for Bwana Devil in 1952,[51] though early Imax presentations were done using the eclipse system and in the 1960s and 1970s classic 3D movies were sometimes converted to anaglyph for special presentations. The polarization system has better color fidelity and less ghosting than the anaglyph system. In the post-'50s era, anaglyph has been used instead of polarization in feature presentations where only part of the movie is in 3D such as in the 3D segment of Freddy's Dead: The Final Nightmare and the 3D segments of Spy Kids 3D.
Anaglyph is also used in printed materials and in 3D television broadcasts where polarization is not practical. 3D polarized televisions and other displays only became available from several manufacturers in 2008; these generate polarization on the receiving end.
[edit]Polarization systems
cardboard 3D linear polarized glasses from the 1980s similar to those used in the 1950s. Though some were plain white, they often had the name of the theatre and/or graphics from the movie
Main article: Polarized 3D system
To present a stereoscopic motion picture, two images are projected superimposed onto the same screen through different polarizing filters. The viewer wears low-cost eyeglasses which also contain a pair of polarizing filters oriented differently (clockwise/counterclockwise with circular polarization or at 90 degree angles, usually 45 and 135 degrees,[52] with linear polarization). As each filter passes only that light which is similarly polarized and blocks the light polarized differently, each eye sees a different image. This is used to produce a three-dimensional effect by projecting the same scene into both eyes, but depicted from slightly different perspectives. Since no head tracking is involved, the entire audience can view the stereoscopic images at the same time. Additionally, since both lenses have the same color, people with one dominant eye (amblyopia), where one eye is used more, are able to see the 3D effect, previously negated by the separation of the two colors.
Resembling sunglasses, RealD circular polarized glasses are now the standard for theatrical releases and theme park attractions.
Circular polarization has an advantage over linear polarization, in that the viewer does not need to have their head upright and aligned with the screen for the polarization to work properly. With linear polarization, turning the glasses sideways causes the filters to go out of alignment with the screen filters causing the image to fade and for each eye to see the opposite frame more easily. For circular polarization, the polarizing effect works regardless of how the viewer's head is aligned with the screen such as tilted sideways, or even upside down. The left eye will still only see the image intended for it, and vice versa, without fading or crosstalk.
In the case of RealD a circularly polarizingliquid crystal filter which can switch polarity 144 times per second is placed in front of the projector lens. Only one projector is needed, as the left and right eye images are displayed alternately. Sony features a new system called RealD XLS, which shows both circular polarized images simultaneously: A single 4K projector (4096×2160 resolution) displays both 2K images (2048×858 resolution) on top of each other at the same time, a special lens attachment polarizes and projects the images.[53]
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Optical attachments can be added to traditional 35mm projectors to adapt them for projecting film in the 'over-and-under' format, in which each pair of images is stacked within one frame of film. The two images are projected through different polarizers and superimposed on the screen. This is a very cost-effective way to convert a theater for 3-D as all that is needed are the attachments and a non-depolarizing screen surface, rather than a conversion to digital 3-D projection. Thomson Technicolor currently produces an adapter of this type.[54] A metallic screen is necessary for these systems as reflection from non-metallic surfaces destroys the polarization of the light.
Polarized stereoscopic pictures have been around since 1936, when Edwin H. Land first applied it to motion pictures. The so-called '3-D movie craze' in the years 1952 through 1955 was almost entirely offered in theaters using linear polarizing projection and glasses. Only a minute amount of the total 3D films shown in the period used the anaglyph color filter method. Linear polarization was likewise used with consumer level stereo projectors. Polarization was also used during the 3D revival of the 1980s.
In the 2000s, computer animation, competition from DVDs and other media, digital projection, and the use of sophisticated IMAX 70mm film projectors, have created an opportunity for a new wave of polarized 3D films.[22][23]
All types of polarization will result in a darkening of the displayed image and poorer contrast compared to non-3D images. Light from lamps is normally emitted as a random collection of polarizations, while a polarization filter only passes a fraction of the light. As a result the screen image is darker. This darkening can be compensated by increasing the brightness of the projector light source. If the initial polarization filter is inserted between the lamp and the image generation element, the light intensity striking the image element is not any higher than normal without the polarizing filter, and overall image contrast transmitted to the screen is not affected.
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[edit]Eclipse method
A pair of LCD shutter glasses used to view XpanD 3D films. The thick frames conceal the electronics and batteries.
Main article: Active shutter 3D system
With the eclipse method, a shutter blocks light from each appropriate eye when the converse eye's image is projected on the screen. The projector alternates between left and right images, and opens and closes the shutters in the glasses or viewer in synchronization with the images on the screen. This was the basis of the Teleview system which was used briefly in 1922.[10][55]
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A variation on the eclipse method is used in LCD shutter glasses. Glasses containing liquid crystal that will let light through in synchronization with the images on the cinema, television or computer screen, using the concept of alternate-frame sequencing. This is the method used by nVidia, XpanD 3D, and earlier IMAX systems. A drawback of this method is the need for each person viewing to wear expensive, electronic glasses that must be synchronized with the display system using a wireless signal or attached wire. The shutter-glasses are heavier than most polarized glasses, though lighter models are no heavier than some sunglasses or deluxe polarized glasses.[56] However these systems do not require a silver screen for projected images.
Liquid crystal light valves work by rotating light between two polarizing filters. Due to these internal polarizers, LCD shutter-glasses darken the display image of any LCD, plasma, or projector image source, which has the result that images appear dimmer and contrast is lower than for normal non-3D viewing. This is not necessarily a usage problem; for some types of displays which are already very bright with poor grayish black levels, LCD shutter glasses may actually improve the image quality.
[edit]Interference filter technology
Main article: Anaglyph 3D#Interference filter systems
Dolby 3D uses specific wavelengths of red, green, and blue for the right eye, and different wavelengths of red, green, and blue for the left eye. Eyeglasses which filter out the very specific wavelengths allow the wearer to see a 3D image. This technology eliminates the expensive silver screens required for polarized systems such as RealD, which is the most common 3D display system in theaters. It does, however, require much more expensive glasses than the polarized systems. It is also known as spectral comb filtering or wavelength multiplex visualization
The recently introduced Omega 3D/Panavision 3D system also uses this technology, though with a wider spectrum and more 'teeth' to the 'comb' (5 for each eye in the Omega/Panavision system). The use of more spectral bands per eye eliminates the need to color process the image, required by the Dolby system. Evenly dividing the visible spectrum between the eyes gives the viewer a more relaxed 'feel' as the light energy and color balance is nearly 50-50. Like the Dolby system, the Omega system can be used with white or silver screens. But it can be used with either film or digital projectors, unlike the Dolby filters that are only used on a digital system with a color correcting processor provided by Dolby. The Omega/Panavision system also claims that their glasses are cheaper to manufacture than those used by Dolby.[57] In June 2012 the Omega 3D/Panavision 3D system was discontinued by DVPO Theatrical, who marketed it on behalf of Panavision, citing 'challenging global economic and 3D market conditions'.[58]
[edit]Autostereoscopy
In this method, glasses are not necessary to see the stereoscopic image. Lenticular lens and parallax barrier technologies involve imposing two (or more) images on the same sheet, in narrow, alternating strips, and using a screen that either blocks one of the two images' strips (in the case of parallax barriers) or uses equally narrow lenses to bend the strips of image and make it appear to fill the entire image (in the case of lenticular prints). To produce the stereoscopic effect, the person must be positioned so that one eye sees one of the two images and the other sees the other.
Both images are projected onto a high-gain, corrugated screen which reflects light at acute angles. In order to see the stereoscopic image, the viewer must sit within a very narrow angle that is nearly perpendicular to the screen, limiting the size of the audience. Lenticular was used for theatrical presentation of numerous shorts in Russia from 1940–1948[48] and in 1946 for the feature length film Robinzon Kruzo[59]
Though its use in theatrical presentations has been rather limited, lenticular has been widely used for a variety of novelty items and has even been used in amateur 3D photography.[60][61] Recent use includes the Fujifilm FinePix Real 3D with an autostereoscopic display that was released in 2009. Other examples for this technology include autostereoscopic LCD displays on monitors, notebooks, TVs, mobile phones and gaming devices, such as the Nintendo 3DS.